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Film reviews, analysis, and cinematic discussions
Jun 22, 2026 • Watched
A few years before Natural Born Killers became the poster child for mass murder media infamy, this forgotten indie explored the topic through a shadowy, painfully isolated lens. Its satire is aimed directly at the psyche instead of the societal, with unreliable narrator, splintered timeline, and a wire walk between absurd humor and off-putting horror. Lynchian-weird in the best ways, its ramp-up is best viewed without a synopsis. Hardly revelatory in its message, but inspired in how it tells it.
Jun 17, 2026 • Watched
I was told to go into this completely blind, but I think at least some familiarity with the Canadian TV series would be helpful in retrospect. Still, surprises and laughs soar high. Void the snark of the Baron Cohen school of scripted/real world hybrid comedy, this gets its edge from the audacity of its stunts, which are always sure to punch up and at the system rather than individuals. It's more silly parody than biting satire, so it keeps its heart full amidst the chaos. Sweet & one-of-a-kind.
Jun 16, 2026 • Watched
A one-of-a-kind hand-painted film released before generative AI could kill it, this masterpiece of animation is only hindered by its narrative. While novel in how it incorporates Van Gogh's scenes into settings and characters, it jumps through hoops that makes the getting-there fairly convoluted with detours & irrelevant details. As an international experiment from first-timers, though, it's a big success -- one I'll be referencing for the rest of my life. I hope to see it in a theater one day.
Jun 11, 2026 • Watched
It's fine. I like the set design, the sound design (I liked that light bulb hum), and the acting is solid. It has some genuinely unnerving moments and inspired choices, but it ends up a bit of a nothing burger for the dramatic dominoes it lines up. It gets tedious at times, too, which would be ok if it hadn't hit the ground running. Adaptation-wise, for liminal entrapment from undercooked properties, I much prefer Exit 8, and for doppelganger horror, there's far more to glean from Annihilation.
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This whole week has been weirdly cloudy and overcast. I’m saving money on my electric bill since the clouds are keeping the temps cool (cool for Ju...
Jun 5, 2026 • Watched
"What is this, a monkey's paw fable for gen-x incels?" I thought after the first act of Obsession, yet another victory for YouTuber low-budget indie horror at the box office in 2026. I wasn't wrong, but I underestimated just how much was in the tank to explosively escalate those beats via plot twists, acting choices, and special effects. It's the kind of film that proves the folly of judging a film on a one-sentence summary. It's in the execution, the work of many tiny parts to elevate it all.
PUDDYSTICKS is a joyously twisted dark comedy produced by Oscar-winner Alex Coco ( Anora ), starring Dan Bakkedahl ( Veep ), Emmy-nominee Mamoudou Athie (A24’s The Drama ), Danny Deferrari ( Shiva Baby ), and writer/director Megan Seely. The film follows anxious video game designer Liz and her the
Jun 2, 2026 • Watched
This rating may change if I watch a second time, since this really demands a second viewing given how many clues it drops along the way to its highly anticipated ending. I love how Lanthimos has the range to be defiantly bold and nuanced moderation in the same breath. The acting is incredible across the board. The score is its own layer of commentary. Ultimately, though, I feel its sci-fi elements overshadow its social discourse, thereby deadening its power despite what its finale would suggest.
Jun 2, 2026 • Watched
I don't disagree that this is an overstuffed, overplotted cacophony of lol random humor and multiverse sci-fi that happened at what was arguably the height of public interest in the multiverse. It has its cake & eats it too, then has another & eats it too, then has another...and that's what makes it profound. When it doesn't make sense, it's metacommentary. When it stacks another layer of drama on top of another layer of comedy, it's maximalist. Existentialism has never been so awe-inspiring.
May 25, 2026 • Watched
For a so-bad-it's-good cult movie, this is one of the greats in my book. It's full of big budget (for the 90s) spectacle and insane creative decisions, the result of too many cooks in the kitchen that's on an airborne plane without wings. Not as tedious as Manos, not as trope-filled as Waterworld, decently paced, full of practical & digital effects, and a time capsule of post-TMNT studio trash. Despite trying to make some serious sense of Mario lore, it's barely recognizable as that IP. Bonkers.
May 19, 2026 • Watched
I like the concept & animation, but it's hardly enough to sustain a feature-length film. Even as someone who loves visual storytelling without dialogue and is on board with Bill Plympton's signature sense of humor and characterization, I found this pretty weak. The plot's thin, the people are stereotypes, and despite a 5-man animation team that's 60% women, it plays into sexist tropes from start to finish. Unfortunately, this belongs back in the 1980s when machismo satire got by without nuance.